Ask anyone what "monochrome" means as it relates to photography, and you'll undoubtedly hear a response of "Black and white." This is incorrect. Monochrome images may be based in any color. The most commonly known alternate is sepia. Other old photographic processes which yield monochrome results include albumen and platinum. In this blog, I intend to present one or more monochrome images per week, to be posted on Saturday or Sunday for the period of one year. I hope my viewers will enjoy them.
Sunday, July 29, 2012
Chip And Crow
Saturday, July 21, 2012
All Too Frequently
It happens far too often. I leave home with a dark forest in my mind's eye and the possibility of finding a rare wildflower or unusual mushroom in the offing, and half an hour from home, I ask myself, "Did I remember to put the plate back on the tripod?" Almost without exception, the answer is "No."
My old tripod (broken) had a spare. I could leave one in my satchel and not have to worry that I'd left one on the desk. The new tripod came with one (only one), and of course the old ones aren't interchangeable because the motivating idea behind commercialism is to force the consumer to buy specialized proprietary parts rather than making things conveniently standard. Don't get me started here!
Oh, I'm good at bracing the camera against trees, rocks and other immoveable objects, but it often means that I can't get the angle I really want for a shot. As a matter of fact, this photo was taken using an ungainly combination of a step-ladder, a stack of books and my PDA, camera on the timer. As I toted the tripod through the door. I said to myself, "Dang, disaster looking for a place to happen!" Once again, I'd left the plate on the desk, my pack already packed for today's photo shoot in the deep dark woods.Saturday, July 14, 2012
It Came From Outer Space
When the Clematis blooms,I invariably take a few photos and am never really satisfied with the appearance of them. It finally registered that the color itself is a distraction, its richness overwhelming the textural detail of the petals and intricacy of the flower's center. As an experiment, I shot in both sepia and black and white. I preferred the sepia, but added an additional warming filter to achieve the tones in this image.