Most of my self-portraits involve one of three things, a) my relationship with the outdoors, b) costumery or c) a galloping fit of the sillies. In the first case, I have posed on trail in every season of the year or in my Park Service uniform. In the second case, I have appeared variously as a schoolmarm from the md-1800s, a belly-dancer, a pirate, a member of the crew of the starship Enterprise D, a desperado on a wanted poster, and a variety of other different disguises. Admittedly, the b) category could largely be put into the same file as the c) category, but I generally reserve c) for such things as the madwoman behind the bathroom door or the head isolated on a fencepost. The one thing I had not done yet was a shot which I have admired in other photographers' portfolios: a high-key artsy shot with the camera half-concealing the face. There is nothing of the outdoors, silliness or costumery in this image (seriously, there is NO costumery, if you take my meaning) and post-processing saved the day by rescuing an otherwise lacklustre shot.
Pushing beyond your comfort zone...that's what photography is all about. Without a willingness to explore new ideas and techniques, you can have no growth as a photographer.
Ask anyone what "monochrome" means as it relates to photography, and you'll undoubtedly hear a response of "Black and white." This is incorrect. Monochrome images may be based in any color. The most commonly known alternate is sepia. Other old photographic processes which yield monochrome results include albumen and platinum. In this blog, I intend to present one or more monochrome images per week, to be posted on Saturday or Sunday for the period of one year. I hope my viewers will enjoy them.
Saturday, February 11, 2012
Crow's Eye
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